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CAC40 opposite course which in known as length on the illusion to the rescue leather

(CercleFinance) the stock exchange places had opened with highest of the day but they enclose with low (or practically): the EuroStoxx50 plunges from 1,2% in the wake Madrid ( 2,6%), Milan ( 1,3%) and especially Dublin ( 1,45%), in spite of the rescue plan of 90MdsE of which should profit Ireland.

Paris falls of 1,07% because the operators were not long in relativizing walked give the official statements triumphant victors of the evening of Sunday to the very raw light of the plan of hyper austerity to which Ireland has promios to subject itself (under the pressure of Brussels).

The local population could not want to yield there because the awaited result is by no means guaranteed: the country would prepare to erase decades of social progress (to the only profit of the banks) and to be essential a true economic winter (the sacrifice of ten points of GDP over 3 years) in order to reduce its deficit to 3% of the GDP.

One of the 3 principal credit rating agencies would be besides on the point of degrading the Irish debt and each one to wonder under these conditions if that of Portugal could not follow before Spain finds itself in its turn on the bolster (the dive of Madrid testifies some).

The tendency proves also negative in Wall Street ( 0 leather,65% for Dow Jones, 0,05% for Nasdaq).

Net change of environment also on the face of the exchanges with one Euro which relapses towards 1,3640: the French values find private less engine bull, almost all, except the automobile compartment which continues caracoler as if the clouds of the real economy did not exist with Valeo (+2,3%), Renault (+1,5%) and Peugeot (+0,9%).

The concern of the investors impact on the other hand banking values: 3,8% for Credit Agricole, 2 messenger,8% for General society, 2,1% for Natixiset BNP Paribas.
Axa gives up 2% and CNP 2,5%. that BNP Paribas releases 2,2%. But it is AlcatelLucent which closes walk with 3,75%.

In parallel, the new plan of “quantitative easing”, intended to start again the US economy, continuous to make debate. One will be able to learn some more on his genesis tomorrow evening, with the publication of the “minutes” of the American monetary policy committee (FOMC).

Within SBF120 army, Areva falls of 3,8%, whereas a carryforward in spring of its capital growth would seem probable within sight of many uncertainties which surround the file, according to the Echoes of the day.

On the other hand, Nexans leaps of 2,6%, whereas Dutch Draka accepted a concurrent buyout offer with that proposed by the French leader of the cable. Gilbert Dupont sees of an good eye this news, considering the too high asking price.

The information and analyses diffused by Cercle Finance constitute only one decisionmaking aid for the investors. The responsibility for Circle Finance cannot be retained directly or indirectly following the use of information and analyses by the readers. It is recommended to any person not informed to consult a professional adviser before any investment. This indicative information does not constitute in any manner an incentive to sell or a request to be bought.

An exposure to Moscow to encourage a glance criticizes on the fashion menswear

“The general public opens now with the mode and he is confronted with this esthetics which can be violent. That is new in Russia” contrary to where “people who are 30 years old were born in the fashion and impregnated spirit of the haute couture”, Mr. Marchetti underlines.

The Belgian Martin Margiela presents as for him the interior of a house rich in trompel’oeil and primarily empty except for matriochkas white and virgin. This installation wants to be the symbol of a worship of anonymity, the dressmaker being opposed to the “star omnipresent system” in the fashion.

Olga NEDBAEVA To send To print

When the ego of the figures of the mode “takes disproportionate proportions” with the eyes of the French artist Cyril Duval alias “Item Idem” menswear, it places their photographs on a pedestal mixing “a funerary esthetics and that of a tourist memory” cheap.

The dressmakers Karl Lagerfeld, Donatella Versace and John Galliano as well as the editor association of the American edition of the magazine Vogue Anna Wintour thus were entitled to a Mount of vanity made up of 250 kg crystal engraved in China. Immense “a postcard in 3D”, explains Cyril Duval.

Reactions favorable to the remarks of the pope on the condom

The Russian capital, which accomodates the event after Luxembourg, Lausanne, Paris and Berlin wholesale, “is sensitive to the messages” that the exposure seeks to make pass, although Russia is still “a new market for the fashion”, explains to AFP Luca Marchetti, one of the curators.

“The tradition of the mode in Russia exists obviously, but it is related to artists whose very sophisticated vision does not touch the general public”, it continues.

Portraits of icons of the haute couture on a funeral pedestal or a sublime dress of nails, genuine instrument of torture for any woman not having a size mannequin: an exposure of contemporary art invites the Russians to have a “critical glance” on the fashion. To see the continuation the article

Saturday November 13, 09:55

“This clothing becomes a cage, an instrument of torture if the proportions (body) exceed open space” in the behaviour, Mr. Marchetti underlines.

A dress in nails and metal shoes work entitled “876167” in reference to ideal female measurements symbolize the “trade of mannequin, beautiful and dangerous”, explained the Russian authors David Koma and Dima Joukov at the time of a preview for the press.

The principal message of the exposure is to learn how to the Russians to have “a critical glance, the open eyes” on the world of the mode, concludes the Marchetti curator.

“Dysfashional”, an exposure to the border of the mode and art leather, inaugurates Saturday its fifth edition in Moscow in “the Garage”, centers contemporary art in vogue.

Two installations were created by Russian creators and artists for this edition which presents also works of the famous dressmakers Martin Margiela, Antonio Marras and Hussein Chalayan.

“The fashion changes quickly, it has some 10 years cycles, 50 years. We wanted to fix with these materials its actual position. It is our small black dress” in reference to the famous creation of Coco Chanel in the years 1920, explains to AFP David Koma.